History of the United Netherlands, 1588c — A Reader’s Guide

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Motley, John Lothrop, 1814-1877 Project Gutenberg 2004 Not confirmed
Netherlands -- History -- Eighty Years' War, 1568-1648 Readers of public-domain and historical texts
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Words 11,010
Reading time 48 min
Text sections 2

For History of the United Netherlands, 1588c — A Reader’s Guide, the stored edition analysis reports 11,010 words, 48 min estimated reading time, and 2 detected text sections.

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Motley's narrative of the 1588 Armada campaign focuses on Philip II's secretive council and the opening naval engagements, contrasting Spanish bureaucratic inertia with English seamanship. The excerpts detail the Armada's crescent formation, the defection of a Flemish gunner, and the English tactics of harassment.
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Philip Second in his Cabinet--His System of Work and Deception--His vast but vague Schemes of Conquest--The Armada sails--Description of the Fleet--The Junction with Parma unprovided for--The Gale off Finisterre--Exploits of David Gwynn--First Engagements in the English Channel--Considerable Losses of the Spaniards--General Engagement near Portland--Superior Seamanship of the English

It is now time to look in upon the elderly letter-writer in the Escorial, and see how he was playing his part in the drama.

His counsellors were very few. His chief advisers were rather like private secretaries than cabinet ministers; for Philip had been withdrawing more and more into seclusion and mystery as the webwork of his schemes multiplied and widened. He liked to do his work, assisted by a very few confidential servants. The Prince of Eboli, the famous Ruy Gomez, was dead. So was Cardinal Granvelle. So were Erasso and Delgado. His midnight council--junta de noche--for thus, from its original hour of assembling, and the all of secrecy in which it was enwrapped, it was habitually called--was a triumvirate. Don Juan de Idiaquez was chief secretary of state and of war; the Count de Chinchon was minister for the household, for Italian affairs, and for the kingdom of Aragon; Don Cristoval de Moura, the monarch's chief favourite, was at the head of the finance department, and administered the affairs of Portugal and Castile!

The president of the council of Italy, after Granvelle's death, was Quiroga, cardinal of Toledo, and inquisitor-general. Enormously long letters, in the King's: name, were prepared chiefly by the two secretaries, Idiaquez and Moura. In their hands was the vast correspondence with Mendoza and Parma, and Olivarez at Rome, and with Mucio; in which all the stratagems for the subjugation of Protestant Europe were slowly and artistically contrived. Of the great conspiracy against human liberty, of which the Pope and Philip were the double head, this midnight triumvirate was the chief executive committee.

These innumerable despatches, signed by Philip, were not the emanations of his own mind. The King had a fixed purpose to subdue Protestantism and to conquer the world; but the plans for carrying the purpose into effect were developed by subtler and more comprehensive minds than his own. It was enough for him to ponder wearily over schemes which he was supposed to dictate, and to give himself the appearance of supervising what he scarcely comprehended. And his work of supervision was often confined to pettiest details. The handwriting of Spain and Italy at that day was beautiful, and in our modern eyes seems neither antiquated nor ungraceful. But Philip's scrawl was like that of 'a' clown just admitted to a writing-school, and the whole margin of a fairly penned despatch perhaps fifty pages long; laid before him for comment and signature by Idiaquez or Moura, would be sometimes covered with a few awkward sentences, which it was almost impossible to read, and which, when deciphered, were apt to reveal suggestions of astounding triviality.

Thus a most important despatch--in which the King, with his own hand, was supposed to be conveying secret intelligence to Mendoza concerning the Armada, together with minute directions for the regulation of Guise's conduct at the memorable epoch of the barricades--contained but a single comment from the monarch's own pen. "The Armada has been in Lisbon about a month--quassi un mes"--wrote the secretary. "There is but one s in quasi," said Philip.

Again, a despatch of Mendoza to the King contained the intelligence that Queen Elizabeth was, at the date of the letter, residing at St. James's. Philip, who had no objection to display his knowledge of English affairs --as became the man who had already been almost sovereign of England, and meant to be entirely so--supplied a piece of information in an apostille to this despatch. "St. James is a house of recreation," he said, "which was once a monastery. There is a park between it, and the palace which is called Huytal; but why it is called Huytal, I am sure I don't know." His researches in the English language had not enabled him to recognize the adjective and substantive out of which the abstruse compound White- Hall (Huyt-al), was formed.

On another occasion, a letter from England containing important intelligence concerning the number of soldiers enrolled in that country to resist the Spanish invasion, the quantity of gunpowder and various munitions collected, with other details of like nature, furnished besides a bit of information of less vital interest. "In the windows of the Queen's presence-chamber they have discovered a great quantity of lice, all clustered together," said the writer.

Motley opens his account of the 1588 Armada campaign not with the fleet itself but with Philip II in his Escorial cabinet, surrounded by a small, secretive triumvirate—Idiaquez, Chinchon, and Moura—whom he calls the 'midnight council.' The king is portrayed as a weary overseer of schemes he scarcely comprehends, while his ministers craft the vast correspondence for subjugating Protestant Europe. This focus on bureaucratic machinery rather than martial glory sets a distinctive tone: the Armada's story is as much about administrative paralysis as about naval combat.

The Midnight Council and Its Web

Motley devotes considerable attention to Philip's inner circle, describing how the king 'liked to do his work, assisted by a very few confidential servants.' The triumvirate of Idiaquez, Chinchon, and Moura handled affairs of state, war, Italy, Aragon, Portugal, and Castile. The author emphasizes that the king's voluminous despatches were 'not the emanations of his own mind' but products of 'subtler and more comprehensive minds.' This characterization invites readers to view the Armada not as a single monarch's project but as the outcome of a complex, secretive administrative system. The phrase 'great conspiracy against human liberty' signals Motley's partisan stance, but the concrete detail of the junta de noche—the midnight council—grounds the analysis in specific institutional practice.

The Armada's Theatrical Approach

When the fleets finally meet off the Cornish coast, Motley emphasizes the visual contrast: the Spanish ships 'disposed in form of a crescent, the horns of which were seven miles asunder,' with 'gilded, towered, floating castles' moving 'with an air of indolent pomp.' The English vessels, by contrast, are 'light, swift, and easily handled.' The author notes that Medina Sidonia, the Spanish commander, stood in a 'private shot-proof fortress' surrounded by army officers ignorant of naval matters. This image of misplaced hierarchy—cavalry colonels on a galleon—underscores the tactical mismatch. Motley credits English captains Drake, Frobisher, and Hawkins with superior seamanship, and quotes Hawkins's understated report: 'We had some small fight with them that Sunday afternoon.'

A Gunner's Defection and Its Aftermath

One of the most striking episodes in the excerpts is the sabotage by a Flemish master-gunner on Admiral Oquendo's flagship. Reprimanded for poor shot, the gunner 'laid a train to the powder-magazine, fired it, and threw himself into the sea.' The explosion blew up two decks, killing the paymaster-general and nearly two hundred men. Motley uses this incident to illustrate internal fractures within the Spanish fleet—the gunner's nationality (Fleming) hints at resentments among subject peoples. The subsequent confusion, as Medina Sidonia's ships 'fell foul of each other' while trying to assist Oquendo, reveals the Armada's vulnerability to disorder. This concrete event, rather than broad strategic analysis, gives readers a vivid entry point into the campaign's early setbacks.

Running Fight and English Tactics

Motley describes the first engagement as a 'running fight' in which the English 'refused all such invitations' to close combat, instead attacking only the Spanish rear-guard under Recalde. The English 'continued to teaze, to maltreat, and to elude him' while the main Armada proceeded up the Channel. This pattern of harassment, enabled by superior maneuverability, becomes the tactical leitmotif. The author notes that boats from Plymouth brought 'reinforcements and volunteers' to the English ships, suggesting a popular mobilization absent from the Spanish side. The excerpts break off before any decisive action, leaving readers with the sense of an ongoing, attritional struggle—a fitting introduction to a history that, as the full title indicates, extends to the Twelve Year's Truce of 1609.

Readers approaching this volume should note that the excerpts cover only the opening phase of the Armada campaign. Motley's method—alternating between the Spanish court and the English Channel—requires attention to shifts in perspective. The detailed descriptions of Philip's council and the fleet's movements reward careful reading for their concrete imagery and pointed contrasts. The narrative assumes familiarity with the broader Eighty Years' War, but the focus on specific episodes, such as the gunner's sabotage, makes the history accessible even to those new to the period.

There’s something about that Flemish gunner, his moment of quiet defection, that lingers. It makes me think of another small turning point, the one at Ball’s Bluff, where a few private choices echoed so strangely. Both books spend time with the spaces between orders, the human weight of a decision. It’s a comfort, somehow, to find such care given to those forgotten moments.Ball's Bluff: An Episode and Its Consequences to Some of Us — Background and Themes reminds me of that same tenderness for the lost.

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