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Historical Psychological Social Fiction
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View Gutenberg source #28561The source record for Historical Record of the Seventy-first Regiment, Highland Light Infantry Containing an Account of the Formation of the Regiment in 1777, and of Its Subsequent Services to — Edition Insights measures this digital text at 61,388 words, 4 hr 27 min estimated reading time, and 9 detected text sections.
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About 266 minutes
Historical Psychological Social Fiction
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Historical Psychological Social Fiction
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Richard Cannon's Historical Record of the Seventy-first Regiment, Highland Light Infantry opens with a royal command: King William IV ordered that an account of every regiment's services be published under the Adjutant-General's supervision. The preface declares that the army's character depends on 'the zeal and ardour' of its soldiers, framing the volume as both a record and a tool to inspire emulation. This official origin shapes every page, producing a narrative that is meticulous in detail but restrained in emotional register.
Cannon writes from within the military establishment, and his prose reflects that position. The preface is signed by the Adjutant-General, John Macdonald, and the text frequently cites orders and official correspondence. The language is formal, almost bureaucratic: regiments are 'corps,' movements are 'manœuvres,' and casualties are listed as numbers. When describing the 71st's charge at Fuentes d'Onor, Cannon notes that the regiment 'suffered severely' but does not dwell on individual suffering. This restraint is a deliberate authorial choice, prioritizing institutional record over personal drama. The reader is given facts—ten officers and about a hundred men taken prisoner—but not the sounds or sights of battle. The effect is a history that feels authoritative yet distant, as if viewed through a telescope.
The account of the 71st at Fuentes d'Onor (3–5 May 1811) exemplifies Cannon's method. He traces the regiment's movements with geographical exactness: from Albergaria to the Duas Casas river, then into the village. The action is broken into phases: the initial French attack, the 71st's counter-charge under Lieutenant-Colonel Henry Cadogan, and the eventual withdrawal when French troops turned the right flank. Cannon specifies that the regiment 'retained its conquest that night and the whole of the next day' before being 'obliged to give way.' This step-by-step reconstruction gives the reader a clear sense of tactical flow, but the human cost is compressed into a single sentence: 'The Seventy-first suffered severely.' The contrast between the detailed choreography of battle and the terse acknowledgment of loss is striking.
Throughout the excerpts, the 71st Regiment itself is the central character. Cannon refers to it as 'the Seventy-first' or 'the corps,' treating it as a collective entity with a continuous identity. Individual officers appear only when their actions affect the regiment's story: Lieutenant-Colonel Cadogan is named leading the charge, but his personal history is absent. The regiment's movements—from Alquintrinha to Redinha to Fuentes d'Onor—are tracked with the care one might give a protagonist's journey. This collective focus is reinforced by the book's structure, which follows the regiment from its formation in 1777 through subsequent services. The reader is invited to see the regiment as a living thing, shaped by battles and marches, its 'character' built from official reports and casualty lists.
Cannon's history is as notable for what it omits as for what it includes. The excerpts contain no direct speech from soldiers, no descriptions of wounds or fear, no mention of the Portuguese civilians whose villages the armies passed through. The enemy, Marshal Massena, is described as retreating 'in a masterly manner,' a phrase that grants him tactical respect but no interiority. The author's selection of details—dates, place names, unit numbers—creates a clean, administrative version of war. Yet the very precision of the record hints at what is left out: the 'great loss' suffered by the 71st is stated but not dramatized. This silence is not a flaw but a feature of the genre. Cannon's task was to produce an official record, not a memoir, and his choices reflect the priorities of the Horse Guards.
Readers approaching this volume should expect a regimental biography written from the inside, with all the strengths and limitations that implies. The prose is lean, the facts are dense, and the narrative arc is determined by campaigns rather than characters. For those interested in the mechanics of nineteenth-century military history—how battles were recorded, how units were memorialized—Cannon's work offers a clear example of the genre. It rewards careful reading of its silences as much as its statements.
Reading Cannon’s regimental record, I lingered on how neatly every skirmish was filed away, the human weight of it softened by official prose. It made me recall a small manual I once kept, Night Operations for Infantry Compiled for the Use of Company Officers — Reading Companion, which felt far more honest about the quiet uncertainty of moving in the dark.
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